23456 | B | M | W | H |
---|---|---|---|---|
34256 | 2 | |||
32546 | – | 2 | ||
24365 | x | 3 | ||
53462 | – | – | ||
65432 | – | |||
23456 | – | – | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 105 (100%) | – | – | – | – | – |
3-4 | – | 29 (28%) | – | – | 21 (20%) | 55 (52%) |
5-6 | – | 11 (10%) | 63 (60%) | – | 18 (17%) | 13 (12%) |
7-8 | – | – | – | 105 (100%) | – | – |
9-0 | – | – | – | – | 105 (100%) | – |
E-T | – | – | – | – | – | 105 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5040 Yorkshire Surprise Maximus Op. no 47 by John R Ketteringham |
Reversed and transposed calling | 5040 Yorkshire Surprise Maximus Op. 1 by Robin O Hall |
Date | Type | Details |
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