192 Cambridge Surprise Minor

Substituted with London Surprise Minor
Layout
96 London Surprise Minor
From 192 Cambridge Surprise Minor
Composed by Anonymous
23456 I W
23456 – –
Not atw.
Blue Line
Music Score = 22
Musical combination Front Internal Back Count Score
56s       6 6
56s       6 6.00
4-bell runs 1 1 4 6 5
1234s 1 0 0 1 1.00
2345s 0 1 0 1 0.00
3456s 0 0 2 2 2.00
4321s 0 0 0 0 0.00
5432s 0 0 0 0 0.00
6543s 0 0 2 2 2.00
5-bell runs 1 0 1 2 2
12345s 1 0 0 1 1.00
23456s 0 0 1 1 1.00
54321s 0 0 0 0 0.00
65432s 0 0 0 0 0.00
Wraps       2 2
Backstroke wraps of Rounds       0 0.00
Backstroke wraps of Queens       0 0.00
Backstroke wraps of Tittums       0 0.00
Backstroke wraps of Backrounds       0 0.00
Handstroke wraps of Rounds       0 0.00
Handstroke wraps of Queens       0 0.00
Handstroke wraps of Tittums       1 1.00
Handstroke wraps of Backrounds       1 1.00
Combination near misses       5 5
123465 (near miss)       0 0.00
123546 (near miss)       1 1.00
124356 (near miss)       0 0.00
132456 (near miss)       0 0.00
213456 (near miss)       1 1.00
124365 (combination near miss)       1 1.00
132465 (combination near miss)       0 0.00
132546 (combination near miss)       0 0.00
213465 (combination near miss)       0 0.00
213546 (combination near miss)       1 1.00
214356 (combination near miss)       0 0.00
214365 (combination near miss)       1 1.00
Named Rows       2 2
123456 (Rounds)       1 1.00
132546 (Priory/The Intermediate)       0 0.00
135246 (Queens)       0 0.00
142536 (Tittums)       0 0.00
145236 (Jacks)       0 0.00
154326 (Jokers)       0 0.00
213546 (Burdette)       1 1.00
321456 (See-saw)       0 0.00
341256 (Hagdyke)       0 0.00
342516 (Exploded Tittums)       0 0.00
531246 (Kings/Whittingtons)       0 0.00
532146 (Princes)       0 0.00
654321 (Backrounds)       0 0.00
Undesirables       0 0
65s at back       0 0.00
Handbell Positions
Pair 1-2 3-4 5-6
1-2 4 (100%) – –
3-4 – 2 (50%) 2 (50%)
5-6 – 2 (50%) 2 (50%)
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Minor
True rows
96
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
bflm
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
2
Related Compositions = 21
Similarity Related Composition
Identical calling 48 St Clement's College Bob Minor
Identical calling 48 Double Oxford Bob Minor
Rotated calling 192 Cambridge Surprise Minor by Anonymous
Rotated calling 144 Carlisle Surprise Minor
Transposed calling 144 Kent Treble Bob Minor
Transposed calling 72 Plain Bob Minor
Transposed calling 72 Plain Bob Minor
Transposed calling 192 Cambridge Surprise Minor
Transposed calling 144 Kent Treble Bob Minor
Transposed calling 96 Double Bob Minor
Transposed calling 48 Reverse Bob Minor
Transposed calling 16 Little Bob Minor
Transposed calling 48 St Clement's College Bob Minor
Transposed calling 24 Double Court Bob Minor
Transposed calling 48 Reverse Bob Minor
Transposed calling 48 Double Oxford Bob Minor
Transposed calling 96 Ipswich Surprise Minor
Transposed calling 96 Primrose Surprise Minor
Transposed calling 192 Norfolk Surprise Minor
Transposed calling 144 Carlisle Surprise Minor
Transposed calling 144 Carlisle Surprise Minor
Performances
Date Type Details
References
Library Details
Library
Public
Notes
Composition Id
53942
Created on
Thu 01-Aug-19 21:46 by Simon W Edwards
Modified on
Mon 29-Jan-24 23:47 by Composition Analyser
Published on
Thu 01-Aug-19 21:47