240 Plain Bob Doubles

Layout
240 Plain Bob Doubles
Composed by John Pladdys
2345 1 2 3
2453 –
5243 – –
3 part.
Blue Line
Music Score = 48
Musical combination Front Internal Back Count Score
4-bell runs       8 8
51234       2 2.00
15432       2 2.00
23451       2 2.00
43215       2 2.00
Combination near misses       14 14
12354 (near miss)       2 2.00
12435 (near miss)       2 2.00
13245 (near miss)       2 2.00
21345 (near miss)       2 2.00
13254 (combination near miss)       2 2.00
21354 (combination near miss)       2 2.00
21435 (combination near miss)       2 2.00
Named Rows       26 26
12345 (Rounds)       2 2.00
13254 (Priory/The Intermediate)       2 2.00
13524 (Queens)       2 2.00
14253 (Tittums)       2 2.00
14523 (Jacks)       2 2.00
15432 (Jokers)       2 2.00
21354 (Burdette)       2 2.00
32145 (See-saw)       2 2.00
34125 (Hagdyke)       2 2.00
34251 (Exploded Tittums)       2 2.00
53124 (Kings/Whittingtons)       2 2.00
53214 (Princes)       2 2.00
54321 (Backrounds)       2 2.00
Handbell Positions
Pair 1-2 3-4 2-3
1-2 24 (100%) – –
3-4 – 8 (33%) 16 (67%)
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
3
Number of methods
1
Changes of method
0
Stage
Doubles
True rows
240
False rows
0
Complete extents
2
Partial extents
0
Applicable leadhead codes
p
Date composed
Default calls
Near
Types of call
1
   145 LE Bob (–)
9
Related Compositions = 3
Similarity Related Composition
Transposed calling 120 Plain Doubles
Transposed calling 120 St Simon's Bob Doubles
Transposed calling 120 Reverse Canterbury Pleasure Place Doubles
Performances
Date Type Details
References
None
Library Details
Library
Public
Notes
Published RW 1961, p543, for the benefit of conductors who were "bored stiff" with the four 120s.
Composition Id
45785
Created on
Thu 03-Jan-19 12:53 by Richard B Pullin
Modified on
Mon 29-Jan-24 23:47 by Composition Analyser
Published on
Thu 03-Jan-19 12:53