23456 | M | W | H |
---|---|---|---|
24356 | s | ||
53462 | s | 2 | 2 |
65432 | – | ||
43526 | s | s | – |
32465 | 2 | s | s– |
64523 | – | – | |
23456 | – | s | s |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 107 (100%) | – | – | – | – | – |
3-4 | – | 50 (47%) | – | – | 38 (36%) | 19 (18%) |
5-6 | – | 23 (21%) | 26 (24%) | – | 18 (17%) | 40 (37%) |
7-8 | – | – | – | 107 (100%) | – | – |
9-0 | – | – | – | – | 107 (100%) | – |
E-T | – | – | – | – | – | 107 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5136 Bristol Surprise Maximus by James Clatworthy |
Reversed and transposed calling | 5136 Bristol Surprise Maximus Op. 49 by David G Hull |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
Compositions.org.uk | James Clatworthy | 129 |