5126 6-Spliced Maximus

Layout
5126 6-Spliced Maximus Op. 2841
Composed by Donald F Morrison
234567890ET N S Methods
ET234567890 – – BaBr.O.SBaCCBaSBrLp
11 part; 10th observation in first part; – = 16 Bob.
Contains 1584 Barford Surprise; 1056 Bristol Surprise, Cambridge Surprise, Superlative Surprise; 352 Littleport Little Surprise (Lp); 22 Original (O); 109 com.
O = Lead of Original starting with change 2
5 56s (4f,1b), 323 4-bell runs (115f,208b), 4 TEs at back.
Blue Line
Music Score = 856
Musical combination Front Internal Back Count Score
56s & 65s 4 9 1 14 5
56s 4 8 1 13 5.00
65s 0 1 0 1 0.00
4-bell runs 115 866 208 1189 323
1234s 2 8 0 10 2.00
2345s 13 64 16 93 29.00
3456s 13 64 16 93 29.00
4321s 1 2 0 3 1.00
4567s 13 64 16 93 29.00
5432s 1 43 10 54 11.00
5678s 13 64 16 93 29.00
6543s 1 43 10 54 11.00
6789s 13 64 16 93 29.00
7654s 1 43 10 54 11.00
7890s 13 64 16 93 29.00
8765s 1 43 10 54 11.00
890Es 13 64 16 93 29.00
9876s 1 43 10 54 11.00
90ETs 13 64 16 93 29.00
0987s 1 43 10 54 11.00
E098s 1 43 10 54 11.00
TE09s 1 43 10 54 11.00
5-bell runs 85 474 135 694 220
12345s 1 4 2 7 3.00
23456s 12 39 11 62 23.00
34567s 12 39 11 62 23.00
45678s 12 39 11 62 23.00
54321s 0 1 0 1 0.00
56789s 12 39 11 62 23.00
65432s 0 28 8 36 8.00
67890s 12 39 11 62 23.00
76543s 0 28 8 36 8.00
7890Es 12 39 11 62 23.00
87654s 0 28 8 36 8.00
890ETs 12 39 11 62 23.00
98765s 0 28 8 36 8.00
09876s 0 28 8 36 8.00
E0987s 0 28 8 36 8.00
TE098s 0 28 8 36 8.00
6-bell runs 55 236 98 389 153
123456s 1 2 2 5 3.00
234567s 9 22 8 39 17.00
345678s 9 22 8 39 17.00
456789s 9 22 8 39 17.00
567890s 9 22 8 39 17.00
654321s 0 0 0 0 0.00
67890Es 9 22 8 39 17.00
765432s 0 17 8 25 8.00
7890ETs 9 22 8 39 17.00
876543s 0 17 8 25 8.00
987654s 0 17 8 25 8.00
098765s 0 17 8 25 8.00
E09876s 0 17 8 25 8.00
TE0987s 0 17 8 25 8.00
7-bell runs 26 115 52 193 78
1234567s 1 0 2 3 3.00
2345678s 5 13 4 22 9.00
3456789s 5 13 4 22 9.00
4567890s 5 13 4 22 9.00
567890Es 5 13 4 22 9.00
67890ETs 5 13 4 22 9.00
7654321s 0 0 0 0 0.00
8765432s 0 10 6 16 6.00
9876543s 0 10 6 16 6.00
0987654s 0 10 6 16 6.00
E098765s 0 10 6 16 6.00
TE09876s 0 10 6 16 6.00
8-bell runs 17 56 20 93 37
12345678s 1 0 0 1 1.00
23456789s 4 8 1 13 5.00
34567890s 4 8 1 13 5.00
4567890Es 4 8 1 13 5.00
567890ETs 4 8 1 13 5.00
87654321s 0 0 0 0 0.00
98765432s 0 6 4 10 4.00
09876543s 0 6 4 10 4.00
E0987654s 0 6 4 10 4.00
TE098765s 0 6 4 10 4.00
9-bell runs 7 24 12 43 19
123456789s 1 0 0 1 1.00
234567890s 2 5 1 8 3.00
34567890Es 2 5 1 8 3.00
4567890ETs 2 5 1 8 3.00
987654321s 0 0 0 0 0.00
098765432s 0 3 3 6 3.00
E09876543s 0 3 3 6 3.00
TE0987654s 0 3 3 6 3.00
10-bell runs 5 6 6 17 11
1234567890s 1 0 0 1 1.00
234567890Es 2 2 1 5 3.00
34567890ETs 2 2 1 5 3.00
0987654321s 0 0 0 0 0.00
E098765432s 0 1 2 3 2.00
TE09876543s 0 1 2 3 2.00
11-bell runs 2 0 2 4 4
1234567890Es 1 0 0 1 1.00
234567890ETs 1 0 1 2 2.00
E0987654321s 0 0 0 0 0.00
TE098765432s 0 0 1 1 1.00
Wraps       2 2
Backstroke wraps of Rounds       0 0.00
Backstroke wraps of Queens       0 0.00
Backstroke wraps of Tittums       0 0.00
Backstroke wraps of Backrounds       1 1.00
Handstroke wraps of Rounds       1 1.00
Handstroke wraps of Queens       0 0.00
Handstroke wraps of Tittums       0 0.00
Handstroke wraps of Backrounds       0 0.00
Near misses       0 0
1234567890TE (near miss)       0 0.00
123456789E0T (near miss)       0 0.00
1234567809ET (near miss)       0 0.00
1234567980ET (near miss)       0 0.00
1234568790ET (near miss)       0 0.00
1234576890ET (near miss)       0 0.00
1234657890ET (near miss)       0 0.00
1235467890ET (near miss)       0 0.00
1243567890ET (near miss)       0 0.00
1324567890ET (near miss)       0 0.00
2134567890ET (near miss)       0 0.00
Combinations from named rows       0 0
24680Ts (from Queens)       0 0.00
9078ETs (from Hagdyke)       0 0.00
E9780Ts (from Whittingtons)       0 0.00
xxxxx9x0xExTs (from Tittums)       0 0.00
Named Rows       4 4
1234567890ET (Rounds)       1 1.00
1256349078ET (Hagdyke)       0 0.00
132547698E0T (Priory/The Intermediate)       1 1.00
135792E4680T (Princesses)       0 0.00
13579E24680T (Queens)       0 0.00
15926037E48T (Emmanuel)       0 0.00
172839405E6T (Tittums)       0 0.00
10E89674523T (Jacks)       1 1.00
1E098765432T (Jokers)       1 1.00
213546879E0T (Burdette)       0 0.00
21543876E09T (Rollercoaster)       0 0.00
2579E641380T (Boogie-Woogie)       0 0.00
31247568E90T (Ripple Tittums)       0 0.00
123456E9780T (Single Whittingtons)       0 0.00
531246E9780T (Double Whittingtons)       0 0.00
6543217890ET (See-saw/Reverse Waterfall)       0 0.00
675849302E1T (Exploded Tittums)       0 0.00
E9753124680T (Kings)       0 0.00
E9753214680T (Princes)       0 0.00
TE0987123456 (Waterfall)       0 0.00
TE0987654321 (Backrounds)       0 0.00
Undesirables       4 0
TEs at back       4 0.00
Handbell Positions
Pair 1-2 3-4 5-6 7-8 9-10 11-12 2-3 4-5 6-7
1-2 112 (93%) 2 (2%) 2 (2%) – – – 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus 33 (100%) – – – – – – – –
Bristol Surprise Maximus 22 (100%) – – – – – – – –
Cambridge Surprise Maximus 22 (100%) – – – – – – – –
Littleport Little Surprise Maximus 11 (100%) – – – – – – – –
Original Maximus 2 (18%) 2 (18%) 2 (18%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus 22 (100%) – – – – – – – –
3-4 – 22 (18%) 24 (20%) 30 (25%) 20 (17%) 20 (17%) 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus – 6 (18%) 6 (18%) 9 (27%) 6 (18%) 6 (18%) – – –
Bristol Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Cambridge Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Littleport Little Surprise Maximus – 2 (18%) 2 (18%) 3 (27%) 2 (18%) 2 (18%) – – –
Original Maximus – 2 (18%) 4 (36%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
5-6 – 22 (18%) 24 (20%) 30 (25%) 20 (17%) 20 (17%) 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus – 6 (18%) 6 (18%) 9 (27%) 6 (18%) 6 (18%) – – –
Bristol Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Cambridge Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Littleport Little Surprise Maximus – 2 (18%) 2 (18%) 3 (27%) 2 (18%) 2 (18%) – – –
Original Maximus – 2 (18%) 4 (36%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
7-8 – 22 (18%) 24 (20%) 30 (25%) 20 (17%) 20 (17%) 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus – 6 (18%) 6 (18%) 9 (27%) 6 (18%) 6 (18%) – – –
Bristol Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Cambridge Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Littleport Little Surprise Maximus – 2 (18%) 2 (18%) 3 (27%) 2 (18%) 2 (18%) – – –
Original Maximus – 2 (18%) 4 (36%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
9-0 – 22 (18%) 24 (20%) 30 (25%) 20 (17%) 20 (17%) 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus – 6 (18%) 6 (18%) 9 (27%) 6 (18%) 6 (18%) – – –
Bristol Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Cambridge Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Littleport Little Surprise Maximus – 2 (18%) 2 (18%) 3 (27%) 2 (18%) 2 (18%) – – –
Original Maximus – 2 (18%) 4 (36%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
E-T – 22 (18%) 24 (20%) 30 (25%) 20 (17%) 20 (17%) 2 (2%) 2 (2%) 1 (1%)
Barford Surprise Maximus – 6 (18%) 6 (18%) 9 (27%) 6 (18%) 6 (18%) – – –
Bristol Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Cambridge Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Littleport Little Surprise Maximus – 2 (18%) 2 (18%) 3 (27%) 2 (18%) 2 (18%) – – –
Original Maximus – 2 (18%) 4 (36%) – – – 2 (18%) 2 (18%) 1 (9%)
Superlative Surprise Maximus – 4 (18%) 4 (18%) 6 (27%) 4 (18%) 4 (18%) – – –
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
11
Number of methods
6
Changes of method
109
Stage
Maximus
True rows
5126
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   16 LE Bob (–)
22
Performances
Date Type Details
References
Library Details
Library
Public
Notes
Imported from ringing.org/main/pages/display?id=5958
Composition Id
24280
Created on
Sat 03-Sept-16 20:46 by Matthew R Johnson
Modified on
Tue 30-Jan-24 00:02 by Composition Analyser
Published on
Sat 03-Sept-16 20:46